This document provides text strings that can be loaded into Morse Code World's CW Generator.

     PARIS[p-300]e[p]PARIS

Plays two instances of PARIS with e-spacing. The "e" plays 300 Hz lower than the default pitch. 

Of course, a single instance wouldn't provide much training. If we add another [p-300]e[p] at the end, and repeat, in theory it would loop forever. Sadly, as of this writing, CW Generator automatically adds three word-spaces between repeats or lines, which breaks the flow. 

So, to get the effect, we need to create longer strings on our own. 

Note that with a default pitch of 550 Hz, [p-550]e[p] would play the "e" silently: we'd get the correct space, but the metronome would be silent.

Any text document, even a whole book, can be easily modified with a text editor, replacing all the spaces with the desired string, such as:

[p-300]e[p]


A FEW METRONOME-READY STRINGS

Here are a few pre-formatted strings to experiment with.


PARIS TIMES TEN

Each string plays the word PARIS ten times, five times with a WPM+n whole-beat letter space (e,I,s,h, or 5) played 300 Hz lower than the default pitch, and 5 times with the letter-space silent (assuming a default of 550). You may prefer different offsets. Your text editor awaits. 


e-spacing  (WPM+1)

PARIS[p-300]e[p]PARIS[p-300]e[p]PARIS[p-300]e[p]PARIS[p-300]e[p]PARIS[p-300]e[p]PARIS[p-550]e[p]PARIS[p-550]e[p]PARIS[p-550]e[p]PARIS[p-550]e[p]PARIS[p-550]e[p]


i-spacing  (WPM+2)

PARIS[p-300]i[p]PARIS[p-300]i[p]PARIS[p-300]i[p]PARIS[p-300]i[p]PARIS[p-300]i[p]PARIS[p-550]i[p]PARIS[p-550]i[p]PARIS[p-550]i[p]PARIS[p-550]i[p]PARIS[p-550]i[p]


 s-spacing (WPM+3)

PARIS[p-300]s[p]PARIS[p-300]s[p]PARIS[p-300]s[p]PARIS[p-300]s[p]PARIS[p-300]s[p]PARIS[p-550]s[p]PARIS[p-550]s[p]PARIS[p-550]s[p]PARIS[p-550]s[p]PARIS[p-550]s[p]


h-spacing (WPM+4)

PARIS[p-300]h[p]PARIS[p-300]h[p]PARIS[p-300]h[p]PARIS[p-300]h[p]PARIS[p-300]h[p]PARIS[p-550]h[p]PARIS[p-550]h[p]PARIS[p-550]h[p]PARIS[p-550]h[p]PARIS[p-550]h[p]


THE QUICK BROWN FOX

Everybody knows this one: "The quick brown fox jumped over the lazy dogs back" contains all the letters of the alphabet. 

Here it is with e-spacing.

The[p-300]e[p]quick[p-300]e[p]brown[p-300]e[p]fox[p-300]e[p]jumped[p-300]e[p]over[p-300]e[p]the[p-300]e[p]lazy[p-300]e[p]dogs[p-300]e[p]back

This version plays the string first with then without the "E"s.

The[p-300]e[p]quick[p-300]e[p]brown[p-300]e[p]fox[p-300]e[p]jumped[p-300]e[p]over[p-300]e[p]the[p-300]e[p]lazy[p-300]e[p]dogs[p-300]e[p]back the quick brown fox jumped over the lazy dogs back.
 
This one inserts a "string of E's" at the start, to help get you onto the "dit-train" (the beat) - like a conductor tapping a baton on the music stand to get all the musicians on the same page. Here it is repeated between each line, for effect. 

Leading "E's" can be better than "Vs" because longer letters depend on following the beat, not setting the stage for it.
 
In this iteration, the spaces of the last "The quick brown" are done with pitch change to illustrate the technique.

[p-300]eeeeeeee[p]The[p-300]e[p]quick[p-300]e[p]brown[p-300]e[p]fox[p-300]eeeeeeee[p]the[p-300]e[p]quick[p-300]e[p]brown[p-300]e[p]fox[p-300]eeeeeeee[p]the[p-300]e[p]quick[p-300]e[p]brown[p-300]e[p]fox[p-550]eeeeeeee[p]the[p-550]e[p]quick[p-550]e[p]brown[p-550]e[p]fox[p-550]eeeeeeee[p]the quick brown fox

The longer I listen (overlearning), the clearer the outline becomes, and I find myself anticipating and expecting all those timing marks. When they stop (i.e. are made to be silent), they continue playing in my head. That is the desired goal.